Showing posts with label Halle Berry. Show all posts
Showing posts with label Halle Berry. Show all posts

Tuesday, March 1, 2011

The 2011 Oscars: Playboy Barbie edition
a.k.a. two steps forward, two steps back

Last year, I spent the days after the Oscars and Golden Globes talking about how much curvier the red carpet was, how women of all sizes should dress, and how Hollywood allows women of color to be curvier than white woman.

Unfortunately, I couldn’t talk about any one of these issues this year even if I wanted to because there were almost no curvy women or women of color on the red carpet this year.

So what happened? Where were all the women of color? And what about the curvy women? Where were they? Because the only curve I noticed on the red carpet Sunday night was the moon-shaped baby bump under Natalie Portman’s plum-colored dress.

Okay, so Penelope Cruz was showing off a little extra stomach, arm, and thigh (not to mention boob) post-baby, but other than that, the red carpet was curve-free. (In case you’re wondering, breasts alone don’t make a woman curvy.)
1298855279_penelope-cruz-oscar_290.jpg

Last year there were nine curvy girls on the red carpet— JLo, Mo'nique, Meryl Streep, Gabby Sidibe, Molly Ringwald, Queen Latifah, Mariah Carey, Sigourney Weaver, and Kate Winslet (FYI... I wouldn’t call Winslet curvy, but since one reporter called her “big” that night, she deserves to stand with us)—and eight women of color: Mo'Nique, Gabby Sidibe, Queen Latifah, Mariah Carey, Zoe Saldana, JLo, Penelope Cruz, and Cameron Diaz. This year, real-sized woman dropped to two—Cruz and nominee Jacki Weaver—while women of color were down to just three: Cruz again, JHud, and Halle Berry.

And that wasn’t the only place women were missing. When Spielbeg introduced the award for best picture, the girls at BitchFlicks rightly pointed out that he mentioned eight films that had been previously nominated for—The Grapes of Wrath, Citizen Kane, The Graduate, Raging Bull—and won—On the Waterfront, Midnight Cowboy, The Godfather, The Deer Hunter—the best picture Oscar, but not one of them was about a woman or a person of color.

This was in stark contrast to last year’s Academy Awards, which, as I said then, was an evening focused on strong women—Sandra Bullock, Mo'nique, Meryl Streep, Gabby Sidibe, and of course Best Picture/director winner Kathryn Bigelow to name a few—and that those women thankfully had bodies of all sizes

And if women were more of an afterthought this year and women of color and curvy women glaringly absent on the red carpet, I can’t help but wonder if this means we are regressing.

Reese Witherspoon showed up in a look that was frighteningly reminiscent of a Playboy bunny (see picture above), and I visibly shuttered when I saw her on my TV screen. Are we going backwards instead of forwards? Will we be breaking out the corsets and bonnets next year?

The irony is that one of the only women of color on the red carpet was Jennifer Hudson, who, over the last year, has famously replaced her ample curves with ones that are more Hollywood appropriate.

Maybe the lack of curves on the red carpet was the reason why JHud’s new bod seemed to be all anybody could talk about when they saw her. Even the normally infallible Tim Gun felt the need to point out Hudson’s “amazing new figure.”

Even worse, when Ryan Seacrest interviewed Hudson, he said, “You must love getting dressed up now that you have that new body.”

It’s bad enough Seacrest felt comfortable giving Hudson such a back-handed compliment, but his comment is also offensive to the rest of us non-Red Carpet walkers because his message is that if we aren’t skinny, then we shouldn’t enjoy dressing up.

Guess what, Ryan? Real women—whether they be curvier than celebrities or more flat chested than them—like to dress up too!

The bottom line is that the more we talk about Hudson's "new" bod, the more we reinforce the idea there was something wrong with the old one. And, my God, the woman is gorgeous at any size.

After the Golden Globes this year, I wrote about how Seacrest’s superficial and sexist banter on the red carpet hurts us more than Ricky Gervais’ raunchy ribbing of celebrities, and this year’s color-and-curve-free red carpet makes me think it’s time for another course correction.

Over the past few years, we have seen a resurgence of curvy women and women of color, but last Sunday proved that, unfortunately, we’re falling back into old habits. This means that we have to re-double our efforts by continuing to demand more magazines and models with real women and by continuing to vote with our dollars and spend money on female artists of all stripes.

Recently, when asked if the new emphasis on curves would continue, a world-famous designer said that, in fashion, trends come and go pretty quickly, and he imagined that the curvier women we’ve seen on the runway over the past year would not return next season. But if trends come and go that fast, then we wouldn’t have seen the same Kate Moss heroin chic bodies for the past fifteen years. From my point of view, this sounds like an excuse—and one we cannot accept.

Thursday, July 30, 2009

What's wrong with this picture?

194 pounds
I've had a break-through this week—dipping below 195 pounds for the first time since I started this blog four months ago and even hitting a low of 193 yesterday (though I'm back to 194 today, a fluctuation which is obviously to be expected). I wish I could take some credit for this improvement, but in truth I've only exercised the bare minimum this week. Still, I've been trying to be more conscious of what I eat and how much I exercise for four months now, so maybe this accomplishment is more about the long-term investment I've made in my health than anything I've done just this week.

Of course, I'm thrilled about this dip, and I'm feeling more motivated than ever. Over the next week, I'm hoping to spend even more time exercising and cooking lots of healthy food than I already am.

At the same time, I've been feeling a bit more insecure about my body than normal. I suppose I simply just feel less confident about it than I would like. When I was going swimming the other night, I worried about the way my arms looked in my new bathing suit—did they look flabby or ridiculously out of shape? Would the other swimmers look at them and wonder what the hell I was doing there? Shouldn't a person who swims lap on a regular basis have incredibly buff upper arms?

But on the way home, I asked myself why on earth I would ever worry about what the other swimmers said about my arms, and why I was holding myself to such ridiculous standards. Are my arms really any worse than anyone else's? I don't think so. Are they even bad looking? I doubt it. But, nevertheless, I had felt temporarily defeated by the fact that they did not meet the standard of arm beauty in our society.

And that's when it hit me . . . the problem wasn't me. The problem was the standard. Even I have to constantly remind myself that the standards we hold women to in our society are simply unrealistic. I mean, how many women do you know with Halle Berry's arms? Or Heidi Klum's legs? Or Kate Bosworth's stomach? Or Scarlett Johansson's cleavage?

Let's face it. For the most part, real women don't look like that. Maybe, just maybe, you know a woman who has assets to rival these celebrities in one of these areas, but all four of them? I doubt it.

So why then do we idolize and feature women who are this obnoxiously perfect? After all we have learned about how idealizing impossibly perfect women hurts our self-esteem, why do we still continue to do it?

I really wish I knew.

On the other side of the spectrum are the "plus-sized" celebrities. The women who are routinely cast as the goofy sidekick or the "fat girl."

Have you ever noticed that we almost only ever see these two extremes—the plus-sized sidekick or the impossibly thin glamazon? I don't look like either of these kinds of women, and I don't know anyone who does. So why are these the only two options we get? For God's sake, where are all the real girls???

You might have seen the advertisements for a new television show called Drop Dead Diva. The premise of the show is that "a thin but shallow woman's soul lands in a larger woman's body" and must come to terms with this change. (The two actresses who star in these opposing roles are pictured above.)

Let me say first and foremost that I am flat-out thrilled that this show is taking on the issues of fattism and body image and that it's featuring a gorgeous plus-size woman in the lead role. I hear that actress Brooke Elliott gives an amazing and believable performance, and I'm rooting for both her and the show.

But what bothers me is that we still don't have any television shows or films that feature women of average size—women who don't wear a size twenty or a size zero, women who have a body I can realistically aspire to have. (I'm not sure Ugly Betty counts since the only reason Betty has a normal sized body is because she's supposed to be "ugly.") Again, I can't help but wonder why these women—women who look like me and almost everyone I know—are all but absent from film and television. Why are we so afraid to show women in this middle group? Why is it so important for every character on screen to fit into one of these two extremes—overweight or underweight? Are we simply that opposed to complexity? Or, on the other hand, do producers think we're simply too thick-headed to judge a female character based on her actions or words rather than on her extra small or extra large dress size?

If that's the case, it's time we started letting those in power know that we're smarter than they think we are. We need to talk about the kinds—and sizes—of characters we want to see staring back at us from our television and movie screens. I'm not sure how exactly we can communicate this, but I'm hoping that this blog—and the women I feature on it—will be a step in the right direction.